Miler Lagos at the Arthur Ross Gallery at the University of Pennsylvania
This is part of Philagrafika 2010. Philagrafika 2010 is Philadelphia's international festival celebrating print in contemporary art. Its mission is to promote and sustain printmaking as a vital and valued art form. Many local institutions are planning and implementing a wide range of exhibitions, public programs and events, resulting in a citywide collective effort to promote printmaking. this reflects the collaborative nature of printmaking itself.

I visited the Arthur Ross Gallery at the University of Pennsylvania, which presents a site-specific installation by artist-in-residence, Miler Lagos. Miler Lagos is a renowned Columbian contemporary artist. In order to achieve specific aesthetic and expressive goals, contemporary artists, like Miler Lagos, have drawn from inherent characteristics of the print. Concepts of imprinting, multiplicity, reproduction, and seriality, as well as physically printed forms are frequently used by artists who do not think of themselves as printmakers. In the most simple sense, here Miler Lagos is turning paper back into a tree. He has taken a ton of regional newspapers and rolled them, one page at a time, into what seems to be a large section of a tree. This repetitive action of rolling 58 kilometers of recycled newspaper establishes for me the cycle of seasonal rings one sees on cross-sections of the tree trunk. So, this sculpture looks like a few hundred year old tree to me.

Just as the rings of a tree trunk comprise as environmental record, the rings of this paper tree are made of thousands of daily stories, compressed into newsprint.

The Columbian artist calls the sculpture Silence Dogood, the pen name used by Benjamin Franklin when he was a teenager. Benjamin Franklin is also one of the founders of the University of Pennsylvania and he was also a printer. Here at the University of Pennsylvania, the sculpture sits at the site of the college founded by the originator of the name, Silence Dogood.